Deb Caletti is the author of five wonderful YA novels, most recently The Fortunes of Indigo Skye. She’s a very talented author, and if you haven’t read her books yet, what are you waiting for?! I was lucky enough to get to interview Deb, and I hope you enjoy it:

I’ve heard it’s like choosing a favorite child, but do you have a favorite of your books? If so, why?
It is like choosing a favorite child. But my favorite books are actually the ones that remind me most of my own life with my kids. “Honey, Baby, Sweetheart” has a lot of us in it, as does “The Fortunes of Indigo Skye.”

What is the most interesting way in which the inspiration for one of your novels has come to you?

A couple of cups of French Roast are usually my best source of inspiration. But I think the most interesting way one of my novels came about was on a field trip with my son’s orchestra to watch the Seattle Symphony rehearse. I sat in the plush, red seat and watched the white, billowing sleeves of the symphony conductor, and those sleeves became responsible for WILD ROSES. The intensity of their movement made me think about the passion involved in creativity, and the role – good and bad – that passion plays in our lives.

Would you want to unexpectedly acquire two and a half million dollars the way Indigo did? If you did suddenly have that money, what would you do with it?
Could I possibly say no to that? Of course I would want to acquire two and a half million dollars! I don’t know exactly what I would do with it, but I hope I would “have money” in a way that was caring and responsible to others around me.

How did The Fortunes of Indigo Skye change from first draft to final book?

There are always nips and tucks in the editing process, but generally the book remains basically whole. I think the biggest thing I changed was extending the time that Indigo became dissatisfied with Trevor. He leapt on the money a little too eagerly at first.

What is your writing process like? Do you outline, or wing it? Fill things in randomly, or write linearly?

I stand at the literary ledge and let go. In my very early days of writing I used to outline. But then I discovered that if I succumbed to circumstance and the outpourings of my own weird subconscious, some sort of magic happened. It’s the same process of discovery I feel when I read a book – an unfolding.

You are very talented at creating great characters and showing the relationships between them. Do real people inspire any of your characters? Do you have any advice for aspiring writers trying to brush up their characterization skills?

Sure, real people inspire your characters, but we don’t usually like to admit that. We’d rather stay somewhat safe behind the “any resemblance to actual people is unintentional” blurb that comes on the copyright page. That said, someone I know well can inspire a character, but so can someone I just sit behind for an hour at one of my son’s soccer games. It’s all about observation and a curiosity about why people behave the way they do. Human behavior is something I’m desperate to understand, for my work, but also for my life. I study behavior, take it in, and try to convey it as honestly as possible. That’s my most basic but truest “advice.”

Are you like any (or all) of your main characters? In what ways?
I’m probably like all of my characters in some way, even the bad ones. Mostly, though, my characters and I both tend to be flawed but good intentioned, trying to do the best we can in our world. Sometimes successfully, sometimes not.
Why do you write for teens? Would you ever want to write for children or adults?

I don’t think of my teen readers as TEEN READERS. I think of them as people. I try to address issues we all, adults and teens, face in much the same way – love, identity, fear, what we hunger for and where we find a sense of home. I have a great deal of adult readers, too, I think, because of this blurry line, and I think my teen readers can feel the respect that this lack of differentiation gives. I don’t feel the “You, teen Me, adult” thing, and I this seems to strengthen my relationship with all my readers. We’re all just people doing life.

What are you working on right now?

I just finished my next book, “The Secret Life of Prince Charming.” It’s about a girl who unites with her sister and the step-sister she’s never met to return objects that her father has taken – from all the women he’s ever loved.

Who are your writing influences?

Probably everyone I’ve ever read, from the writers of Little Bear and Curious George, to C.S. Lewis and Carolyn Keene, right on up to Flannery O’Connor and Hemingway. Every book influences.

Now ask yourself a question (and answer it).

Q. What do you want for lunch, Deb?
A. Cheeseburger, onion rings, diet Coke.

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As you may know, I think Rachel Cohn is pretty brilliant, and I count Gingerbread as one of my all-time favorite books (and love her other books, too, that’s just my personal favorite). So I was more than a little excited to have the chance to interview her, and you should be equally thrilled to get to read this!

You wrote three unpublished novels before Gingerbread. What were those about? Why do you think they weren’t published? Would you ever re-visit those stories?

The first two novels I wrote were adult fiction. The third eventually was
published — The Steps. (It was bought after Gingerbread.)

As for those first two novels, I am, finally, twelve years (!) after the fact of finishing it, going back and re-writing that first one as a YA. But I loved this book so much, and tried so many times to re-write it, always unsuccessfully, that I finally had to acknowledge that it wasn’t so much that I couldn’t re-write it, but my voice had changed SO MUCH since that first book, that it was no longer even possible to go back to that original book. But the premise of that first book is just irresistible to me as a writer, so what I am doing now, after taking almost a year and a half away from writing at all, is going back to that original premise, and writing a whole new book. New characters, new voice, new situations, but old premise. I’m loving how it’s going so far and really excited about it — the new-old thing has kind of re-energized me!

Do you see any of yourself in any or all of your main characters? In what way?

I’m going to borrow from David Levithan’s response to this question and say that all of them are based on me, and none of them. For me, I don’t consciously model characters on myself (the books would be pretty boring if I did), but certainly pieces of me creep into my characters, whether I try for that or not. Typically, characters end up sounding like me — e.g., the way the Cyd Charisse character talks is sometimes how I sound.

The character Miles in You Know Where to Find Me is probably the first character I’ve ever written that most closely resembles how I think; she’s more articulate than me, but her thought process mirrors my own.

But while voices can tend to mimic my own, the characters themselves are their own people — their own lives, their own hearts, their own situations.

You live in New York City, and some of your stories also take place there. What do you love most about New York?

Truthfully, I most love that I can order anything to be delivered to my apartment any time of the day or night.

Beyond that, I love the energy of NYC. It’s a place that, for better or worse, is so much ALIVE. As a writer, I find that very stimulating. But it helps that I have a nice quiet apartment to retreat to, as well.

Why do you write for a young adult (and slightly younger with The Steps and Two Steps Forward) audience?

Because adults are boring and weird.

You have written books by yourself, and two with David Levithan. What was different about the experience of writing with a partner as opposed to by yourself–the best part, and the most difficult part?

The best and most difficult parts are the same for me — placing your characters in another person’s hands and letting that person determine what happens next with those characters’ hearts and minds. Sometimes that is incredibly exhilarating and inspiring, to see where the other person will go, and other times it’s completely frustrating, if you don’t agree with where the characters have landed. This is why I think the most important component of collaboration is trust — you have to really feel that for the other person in order for the work to succeed. Chemistry between the collaborators is awful helpful, too — in our case it was a complete surprise, but a nice one, for sure!

You love music, as can be seen in your books in various ways. What are some of your favorite songs right now? What songs have a special significance to you?

This is a great question but a hard one, because there are SO MANY songs residing in my heart and soul right now, but the flows change by minute, by hour, by day. Some days I need Dusty Springfield all day long to cope, and other days I shuffle randomly between pop, latin, honky tonk, and disco (always disco).

If you want to know what’s spinning most for me lately, here’s a recap of what I bought recently when I was in Los Angeles and made a trip to Amoeba Records: the Amy Winehouse debut album (I finally gave up on resisting this, although I still hate that Rehab song, but love all the others), an old Arthur Alexander compilation (loves me some Southern soul), the “Halos and Horns” Dolly Parton album because i love her “Stairway to Heaven” cover, the new Erykah Badu, the new Raveonettes and Cat Power albums, and this recently reissued album by Boscoe (70s soul) that I keep hearing on my favorite radio station, KALX-Berkeley (that I listen to on the Internet all the time, including right now).

What songs does Cyd Charisse, of Gingerbread, Shrimp, and Cupcake fame, love?

Um, disco. KC & the Sunshine Band, Abba, Thelma Houston, Saturday Night Fever. Mixed with The Clash and The Jam, of course, some Irish punk-type stuff like Flogging Molly, and any rotation of screamo metal and punk, probably. I don’t think she’d like to be pinned down on musical genres.

Basically, if she can dance or hyper-jump to the beat, I think she’d like the song.

I do have a playlist I made for her when I wrote Cupcake. Should I post it on iTunes?

Definitely!

What are Miles’s (from You Know Where To Find Me) favorite songs?

I think Miles is not a music-obsessed teen at all, the way characters like CC or Norah or Wonder (from Pop Princess) are. I think she feels very closed off from popular culture, and avoids music as a consequence. She just wants to lose herself inside books. (But if you want to see some of the songs I listened to while writing You Know Where to Find Me, I posted a playlist for the book as an iMix on the iTunes Music Store — you can find any of my playlists there by going to the iMix section then doing a search on my name.)

Nick and Norah’s Infinite Playlist, which you wrote with David Levithan, is being made into a movie! If you had some influence over the process and could choose one of your other books to be made into a movie, which would you choose and why?

I couldn’t choose — sorry! The movie-making process is so random and bizarre, I’d be grateful (and stunned) if anything else actually got made and not just optioned. There are a few more options in progress, but we’ll see…still a long way to go for any of my other books to actually make it to the screen. But here’s hoping!

If Gingerbread (and/or its sequels) were to be made into a movie, who would your dream cast include?

I have no idea! Every time I answer this question, my casting choices rapidly become too old for the parts.

Though funnily enough, when I first saw the girl who plays Norah in the Nick & Norah’s Infinite Playlist movie, my first thought was, She looks like Cyd Charisse!

But when I picture CC, I most see her as looking like the Faith character from Buffy the Vampire Slayer.

Who would your dream cast for You Know Where To Find Me have in it?

I have no idea whatsoever!

I have heard it’s like trying to choose a favorite child, but do you have a favorite of your books?

Well, like your children, I love them all, but for different reasons. I couldn’t choose. Maybe one day readers will run a poll and decide for me?

To readers who are Rachel Cohn fans: If you have a favorite, leave it in the comments!

What is your writing process like? In what environment do you do your best writing?

My writing process changes with each book so I couldn’t proclaim to actually understand my own process. (Unfortunately.) The one thing I do know about it is the environment in which I write best — a quiet and solitary place like a library, free of cell phone, TV and other distractions, my iPod or KALX in my earphones.

Who are some of your writing influences?

I love any books by David Levithan, Patricia McCormick, Jaclyn Moriarty and Markus Zusack. It’s hard to pin down when there are so many writers, especially YA writers, I admire.

What are you writing right now?

That unpublished first novel, redux.

What would your dream job be if you couldn’t write?

Pastry chef or cupcake baker. Bringer of sugar joy to people everywhere.

Now ask yourself a question (and answer it!).

Rachel: What’s for dinner tonight?
Rachel: Well, going to see Paranoid Park at the Angelika this afternoon, which is a few blocks from yummy Spring Street Natural Foods restaurant in Soho, how about there?
Rachel: Good plan. But popcorn at the movie first, right?
Rachel: Duh.

Thank you so much, Rachel!

I adored Paula Yoo‘s debut novel, Good Enough. It was fresh and honest and funny and well-written, and, well, just plain awesome! Today, we are lucky enough to have Paula here for an interview, and she has some awesome things to say about the book, her non-writing-and-music-related dream job, writer’s block, and more.

How much of Good Enough is autobiographical? What do you and Patti have in common?

Wait a minute, you mean Good Enough is fiction?! What? OMG! Oh no! :) Haha! Just kidding. Yes, I admit quite a bit of my first novel is based on my own life. Like Patti, I play the violin and I was Concertmaster of my All-State Orchestra and I did perform the Mendelssohn Violin Concerto with my youth orchestra. I even had a bad perm that burned my ear! But Patti’s way more sarcastic than me. She’s also much smarter than me (I was horrible at math, so I made Patti a straight-A AP Calculus student!) and she plays the violin WAY better than me! Although a lot of the book was inspired by my life, it IS fictional because I took what happened in my life and wondered, “What if…?” and that’s where the fiction kicked in. It was interesting, however, when I attended my 20th high school reunion this past Thanksgiving and met some of the real-life people who inspired many of the characters, including the real-life version of “Ben Wheeler.” Fortunately, they all liked the book… phew!

What was your favorite scene in the book to write? Which one was most difficult?

I’d say my favorite scenes were with Patti’s youth group, especially when she snuck out of church to go to a rock concert with Ben. I grew quite fond of Patti and her little circle of uptight square friends, and I loved how they all lived vicariously through her rebellion! As for the most difficult, I would say the ending was very, very hard to write. The original ending had Patti joining the track team to impress Ben – it was a funny ending but it lacked depth… it felt like a very superficial “sitcom” ending. My editor suggested that instead of making Ben the main focus of the story, I concentrate on Patti’s relationship to her parents and learning to stand up for herself. That led to a much more poignant and “deeper” ending. I would also say the scene where Patti witnesses her father being the victim of prejudice especially difficult to write because of my own family’s personal experiences.

Besides Patti, who was your favorite character to write? Who was the most difficult?

I had a crush on Ben Wheeler! I also loved how Samuel Kwon, the most uptight of Patti’s friends, learned to loosen up the most in the end. The most difficult characters were Stephanie and Eric – I didn’t want them to come off as cardboard stereotypes, which is why their character arcs ended the way they did (Stephanie trying to apologize to Patti and Eric being suspended from the graduation ceremony)… I tried to show that despite their flaws, they were human beings who simply made mistakes based on their environment and family influences. It was difficult, however, to keep them from becoming stereotyped Evil Villains, so I would say it was most challenging to make them as three-dimensional as possible.

Who are your biggest writing influences?

That is a tough question! How much room do you have in your blog? haha. Seriously, I have many favorite writers, because I was an English major in college. I loved the American “realism” movement, and I’m a huge fan of poets like Wallace Stevens. I had a thing for Japanese authors like Shusako Endo (loooved his novel “The Samurai”) and Junichiro Tanizaki (loooved his novel “The Makioka Sisters”) Currently, I love the author Tom Perrotta – he masterfully balances humor and poignancy, which is something I strive to do in my writing as well. And I’m reading “Then We Came to the End” by Joshua Ferris, and it’s HILARIOUS. I’m also a Stephen King/horror fan… as for YA authors, my favoritest all-time books are “From The Mixed Up Files of Mrs. Basil E. Frankweiler,” “When She Was Good,” “Bridge to Terabithia,” “Charlotte’s Web,” and “Tuck Everlasting” and everything by Judy Blume and Laura Ingalls. Hmmm. Like I said, this answer could go on and on and on…

What do you do to beat writer’s block?

I no longer believe in writer’s block. I think there is “left brain” writing and “right brain” writing. For example, there are days when you can’t stop me from writing. I’ll write 10,000 words in one day if I’m that inspired! On the days when I’m not in the “mood” to write, I usually use those days to do other forms of writing – research, revising/editing what I’ve written, or reading new novels or re-reading the classics. I strongly believe in reading as much as possible because reading helps you become a better writer. Sometimes I’ll play my violin or play some video games or watch a lot of guilty pleasure TV, especially Food TV, and let my brain wander. I also believe in taking breaks – sometimes your subconscious has to solve some writing problem, so it’s best to do anything NOT related to writing…. then the next day, bam! Writing problem solved. On some days when I’m not ready to write, I will brainstorm new ideas or work on outlines for other ideas I’ve been developing.

If you couldn’t write or play music, what job would you have? What other jobs have you done in the past?

I used to be a journalist and an English teacher and a music teacher, and I’m still a freelance musician between writing jobs, so all my jobs have involved either music or writing. If I had to do a dream job that had nothing to do with writing or music… it would be to host my own cooking show on Food TV. I am ADDICTED to cooking shows. I’m such the foodie! I even have a title – “Are YOO Hungry?” hahaha. I would love to have a Rachael Ray type show where I toured the country, eating at great restaurants and talking about the food!

You write for television, you have written picture books, and Good Enough is a young adult novel. What is the same with all types of writing? What is unique to writing a YA novel? How has your other experience in writing affected Good Enough?

Writing for television, writing picture books, and writing novels are three totally different experiences. They’re like apples and oranges! With TV, you are working with a limited number of pages – most drama TV show scripts are no more than 60 pages and obey a strict four-act plus a teaser structure. So with TV, you’re constantly finding shortcuts to have each scene reveal as much new information as possible plus move the story forward. It’s all about the dialogue, and any stage directions must reveal character or push the plot along. Less is more in TV writing. With non-fiction picture books, less is even more! You’re supposed to tell the life story of someone famous in about 1,500 words, tops. Every word has to shine, it’s almost like you’re writing poetry because every single word has to count, given how little text you’re allowed in a picture book. Novels, however, can be as long or short as you want – the freedom and the “looser” quality can overwhelm most writers, which is why everyone can start a novel, but not everyone can FINISH a novel. I found that my TV and picture book writing experience helped me structure my novels and to make sure the plot clipped along at a quick and interesting pace. But as a novelist, I learned to slow down and really reveal the inner workings of my character through inner monologue and point of view perspectives.

You are a musician as well as a writer. Who are some of your favorite musical artists?

Every musician listed in Good Enough! My iTunes has everything from the Sex Pistols to Shostakovich, from Radiohead to Ravel, from Bill Frisell to Journey, and of course, Duran Duran. I grew up on ’80s new wave and old school punk and college radio gloomy alternative music, so I’m very happy to see that the ’80s are back in fashion! But being a classically trained musician, I also love all types of jazz, blues, old school rock ‘n roll (Zeppelin!), Broadway, the list goes on and on. I just like music that’s got a good beat, a cool melody, and an interesting structure. It could be polka or Prokofiev or Paula Abdul, I don’t care, if it’s got a great melody, I’m happy!

How long have you wanted to be a writer?

I’ve wanted to be writer from Day One. When I read Charlotte’s Web in the first grade, I knew instantly that I wanted to become a writer. I began writing short stories as soon as I finished reading Charlotte’s Web. I wrote my first “novel” – a 50-page hand-written manuscript – in the 2nd grade and actually submitted it to Harper & Row Books because they published “Little House on the Prairie,” which was my favorite book series at the time. I have never not wanted to be a writer – I have never wanted to be anything else but a writer since the first grade. I feel very lucky and honored to have achieved that dream, and I don’t take it for granted!

What are you writing now?

As a working TV drama writer, I have to work on a new “spec script” for the upcoming staffing season in the spring – this is when the networks decide what shows will air in the fall season. They read sample scripts from TV writers and if they like your script, they hire you for a show! So I need to write a new sample script for staffing season. I’m also researching and writing my next YA novel, and I’m doing revisions on my next picture book. And I’m always brainstorming future ideas – I have a little notebook that I carry around with me all the time to jot down new ideas. It’s a great way to kill time while waiting in line at the bank!

Now ask yourself a question! (And answer it.)

PAULA’S QUESTION: Why is https://teenbookreview.wordpress.com/ so cool?

PAULA’S ANSWER: Because they promote reading for young people and offer balanced, fair and very insightful reviews of the latest YA novels and they encourage young people to read, read, read! I am honored to be included in their website!
Thank you so much for the kind words, Paula, and for doing this interview!

Stephanie Kuehnert is the rather brilliant author of I Wanna Be Your Joey Ramone, a book I absolutely adored! From the comments on my review, it looks like quite a few of you are excited for this book as well, which comes out in July, and, trust me, you should be excited! It really is just such an amazing and wonderful novel. Seriously, just pre-order it now; you will be far from disappointed when you read it.

I’m really thrilled to have Stephanie here today for an interview! A really great interview, too; I loved reading her answers. So, without further ado, here it is.

Is any of I Wanna Be Your Joey Ramone is based on your own experiences?

I didn’t really draw from my own experiences for the book, but I did draw from my love of music. In fact, the first paragraph of the book is lifted straight from a journal entry I wrote about flipping through my parents’ record collection. I just changed the reference to cold Chicago winters to cold Wisconsin winters.

What was your inspiration for writing this book? What came to you first–plot or characters or something else?

The characters came to me first. I discovered Louisa’s story and then Emily’s and then I realized that if I connected the two I’d have a very powerful basis for a novel. The main inspirations for the book were my love of punk rock and also of the Midwest. I lived in Madison, Wisconsin for a little while and my roommate and I used to go for drives in the countryside late at night. We’d pick a random County Highway and follow it. We’d drive down Main Streets in towns like my fictional Carlisle and imagine what the town and the people were like. IWBYJR is kind of an extended version of those imaginings.

What do you have in common with Emily and/or Louisa?

I certainly share the passion for music, particularly punk rock, with both of them. I also share Emily’s desire to prove herself at her chosen art. I escaped into my writing during my teenage years like she escapes into her music. I’d love to be the literary equivalent of a rock star. Like Louisa, I’ve had my fair share of demons and spent period of my life running from them, though I was never as haunted as she is and I never ran as far or for as long as she does.

Obviously, a big part of I Wanna Be Your Joey Ramone is music. Are you a musician? Have you ever tried to be, if not?

Oh, I’ve tried. And failed. I took guitar lessons on three different occasions. I talked about having a band called The Morning After all throughout high school with a few of my friends. One friend actually wrote a song for the band and taught me the song, but that was as far as it went. I have a Fender Jagstang, which shows what a huge Nirvana nerd I am because it’s the guitar Kurt Cobain designed and I bought it solely because of that. I go through phases where I try to play it. I teach myself some punk songs, try to write my own songs, but I get frustrated because I can’t sing and play at the same time. It’s probably because I don’t practice enough, but I don’t practice enough because I want to spend my free time writing. Since high school, I’ve been choosing writing over music. Maybe one day when I can write full time, music can become a more serious hobby.

If you could be suddenly amazingly talented at one musical instrument or singing, what would you choose and why?

I’m gonna cheat and say I’d be a singer/guitarist like Emily. After all, I created Emily because she’s the girl I always wanted to be. (Well, minus the missing mom. I like my relationship with my mom as it is.) But the combination of words and guitar is just so powerful, I would love to wield that power.
What are some songs that have a special significance to you?

Music is so significant to me that I don’t just have songs, I have entire albums. Nirvana’s Bleach album reminds me of the period in junior high when I embraced my creative, weird girl self and stopped caring about fitting in with the popular crowd. …And Out Come the Wolves by Rancid reminds me of my best friend and our adventures junior year of high school. Live Through This by Hole will always be the album I turn to for strength. Though there are some individual songs that are extremely meaningful to me for reasons that are hard to explain-they are just my songs-like “Young Crazed Peeling” by the Distillers, “On A Plain” by Nirvana, and “Another Shot of Whiskey” by the Gits. Of course now “I Wanna Be Your Joey Ramone” by Sleater-Kinney will forever remind me of my first book!

What are some songs that you’re into right now?

I’m utterly obsessed with this album Saturnalia by the Gutter Twins right now. They are just soooo amazing, I blogged about them twice last week. I’m also really into the song “Thrash Unreal” by Against Me!, the girl they sing about in that song is totally one of the sad girl characters I would write about. I’d love to write a short story to accompany that song.

What would be some of Emily’s favorite songs?

I’ve always thought of “Don’t Take Me For Granted” by Social Distortion as Emily’s theme song. She would absolutely adore “The Hunger” by the Distillers and wish she’d written it. It combines an almost bluesy sound with raw, angry punk and brutally honest lyrics; that’s exactly Emily’s type of song. But she’d also get a kick out of “40 Boys in 40 Nights” by the Donnas-that’s totally her sense of humor-and she’d love the Sleater-Kinney song her book is named for, too.

Who are your writing influences?

I have so many… I love John Steinbeck. I can’t tell you how much I learned about using place to shape character from GRAPES OF WRATH. I definitely used that in IWBYJR. Irvine Welsh has been a huge influence. He showed the world that you don’t have to be all hoity-toity to write literature. You can write about raw, real situations and write the way real people speak. His books just gave me so much permission. John McNally’s work taught me how to weave humor into dramatic situation. Joe Meno…I was lucky enough to take a few classes from him at Columbia and could probably write an entire essay on how much he taught me, but most important, he taught me discipline. He’s so focused, he teaches full-time, plus writes a couple books and a couple plays a year. It’s amazing. And then of course, I also took a lot from his book HAIRSTYLES OF THE DAMNED and the very honest, touching, but humorous way he handles a coming of age story. My other writing influences include the songwriters that I consider to be great lyricists like Johnny Cash, Courtney Love, and Robert Smith.

What are some of your favorite YA books or authors?

My favorite (and someone who was certainly an influence, but I saved her for this question) is Francesca Lia Block. I can’t tell you how many times I’ve read the WEETZIE BAT books. WICKED LOVELY by Melissa Marr touched me in that same Francesca Lia Block place. And as I mentioned, I love really real, raw stories, so some other faves are ALMOST HOME by Jessica Blank and then both SUCH A PRETTY GIRL and LEFTOVERS by Laura Wiess.

How has IWBYJR changed since the first draft?

It’s been through eight drafts, so it has evolved quite a bit. It was originally conceived of as a “novel in stories” so the chapters were a lot less linear and they could stand on their own like short stories. Since that point, a lot has been added and a lot has been cut. It was originally written for adults, so there were other points of view I explored including Emily’s dad Michael’s and Louisa’s best friend Molly’s that fleshed out the wider world of the story, gave you more of their history with Louisa and more of a sense of Carlisle. When MTV Books picked it up as YA, my editor asked that I streamline it and only use Emily and Louisa’s points of view. As a result, I wrote two more chapters that heightened Emily’s band’s career and I cut those Michael and Molly sections. But they had some great scenes and I plan to put them in an outtakes section on my website after the book comes out.

What is your writing process like?

I’m best as a binge writer, writing in four to fourteen hour blocks. When I was a student with two part-time jobs, I was able to arrange my schedule to suit this. Now I work a 9 to 5 and I’m still adjusting. When I’m discovering a story, I write the scenes that are taking my attention first until I figure out the whole story, then I outline and put it together linearly. I think I like revising best though. I do a ton of revising!

What are you writing right now?

My agent is shopping my second book. MTV Books gets the first look and I hope they’ll like it because I love working with them. You can see what it is about here. Right now a few ideas are taking my attention, so I’m just playing around till I figure out which is the strongest. But I think Book 3 is going to be a YA about a boy helping to avenge terrible things that have happened to his twin sister and her best friend. It will play with the Persephone myth in a modern, realistic way.

How long have you wanted to be a writer? What was your path to publication like?

I wanted to be a writer since I started reading Laura Ingalls Wilder books at the beginning of grade school. I mentally composed my autobiography and started keeping a diary then. I got more serious about it in high school when I started doing ‘zines along with writing short stories and poetry. But it wasn’t until my early twenties when I went to get my bachelor’s and master’s in fiction writing that I really made writing my main focus in life. I met my agent through an event at my college. It was one of those dream scenarios where she saw one chapter of IWBYJR and knew she had to have it. I worked my butt off to finish it over the next six months, did some revisions for her, and then she started shopping it. It took a year for the book to sell. She tried adult publishers first and we got a lot of polite rejections. Then, she decided to try the YA houses and MTV Books picked it up right away!

Emily criss-crosses the country searching for answers about her mother. Other people (real and fictional) have driven thousands of miles in search of many other things, some physical and some not. It’s a recurring theme in lots of fiction. If you had time to go on a road trip, what would you look for and where would you start?

The road trip I’m dying to take is Route 66 all the way to California. It starts here in Chicago so that works out nicely. And I guess I’d be searching for what I’m searching for every day: a great story. Maybe it’s my whole GRAPES OF WRATH obsession, but I think I could find inspiration for a great, real American story on that road, either in the historic things I’d find along the way or maybe among the locals in a bar in New Mexico or something. Either way, I’m convinced I could collect a lot of stories along Route 66.

Now ask yourself a question (and answer it!).

I don’t know how I can top that last one, which was such a great question. So I think I’ll take this as an opportunity publicly clear something up that I know is going to vex me…

How is your last name pronounced?

Well, it’s not Coon-heart or Kway-nert or Coo-nert like I often get. “Kuehn” is prounouced Keen in German, so I’m Stephanie Key-nert.

Anything else you’d like to add?

I just want to say thank you for having me and for your commitment to getting the word out about books. I have huge respect and admiration for book review bloggers like you. Also I should probably let everyone know that I WANNA BE YOUR JOEY RAMONE is available for pre-order on Amazon and invite everyone to visit me on my blog and my website and myspace because I love meeting people who are interested in books, road trips, and rock ‘n’ roll.

Thank you so much, Stephanie!

Siobhan Vivian is the author of the fabulous A Little Friendly Advice, an impressive debut about a sixteen-year-old girl named Ruby, her friends, her family, her possible love interest, and, well, life. It’s one that I highly recommend you all read as soon as possible! Anyway, without further ado, the interview. Thanks, Siobhan, for doing this!

Can you tell me a little about your road to publication?

It was a pretty straight shot that began and ended with my acceptance into the New School Univeristy MFA program in Writing for Children. I felt that hard-core training in this very specific genre was the best way for me to approach completing a YA novel. I wrote my butt off for two years whenever I could find a spare moment from my day job as an editor.

During my last semester at school, I started working on A Little Friendly Advice. David Levithan was my thesis advisor, and he helped me massage a very rough idea into a full-fledged novel. He was vital in helping me tell Ruby’s story in the best, most engaging way. I adored working with him!

After graduation, David said that he was interested in publishing ALFA. I got an agent and sold the book, unfinished, to Scholastic a few weeks later.

What authors are some of your biggest writing influences?

Rachel Cohn is a master of voice, Blake Nelson writes the most crisp, clean prose, David Levithan makes me fall in love with words, and Cecil Castellucci oozes creativity and inspiration.

One of the book’s characters, Beth, celebrates her birthday every year with a big Halloween party. What was your best Halloween ever?

I’m going to say sophomore year of college, when my two friends and I went as the PowerPuff Girls. Our costumes were dead on! Everyone knew who we were and wanted to take pictures with us. It was so awesome.

Are you a lot like Ruby, or one of the other characters?

Of all the characters, I think I’m the most like Ruby. We’re both thoughtful and optimistic (to a fault), a little bit weird, not too girly-girly, and we both love our Polaroid cameras.

Do you have a favorite character in the novel?

Hmm. Good question. I’ll say that Katherine was the most fun character to write. Whenever she showed up in a chapter, she brought so much tension with her. And I loved thinking up sharp, snappy things for her to say.

And Charlie was awesome too. I wished he was real, so he could be my boyfriend.

Do you outline before writing?

Yes! I am a firm believer in outlining. I like to know where I’m going before I get there. But I try not to put in too much detail when I’m writing an outline, so I can still let happy accidents and discoveries happen along the way.

How did A Little Friendly Advice change from first draft to final published book?

At the very, very beginning, ALFA was about four girls who came from divorced families. That circumstance was what united them as friends, and they all took care of each other. Ruby’s dad came back the same way he does in ALFA, but in the old version, he wanted to patch things up with her Mom. Ruby worried about how that would affect her friendships, so she actively tried to keep her parents from getting back together.

I still really like elements from that original concept, but it’s a lot stronger now.

A Little Friendly Advice is written for teenagers. Why did you choose to write for this audience, and do you or would you like to write for other audiences?

I have absolutely no interest in writing books for any other audience but YA. I’m a little like Peter Pan, in that I have very much resisted the idea that I had to grow up. I feel way more comfortable in a room full of teenagers than I do with adults. And the story ideas and characters floating around in my brain are always of that genre. I think it’s just how I’m programmed.

A Little Friendly Advice is realistic fiction. Do you or would you like to write other genres?

I’d like to try and write YA magical realism. I took a class on magical realism in college and loved every single book we read.

Ruby begins to take an interest in photography in this book, when her mother gives her an old Polaroid camera. Are you a photographer?
Not officially, but I love snapping photographs. I own a few cameras, including my beloved Polaroid, and took a few photography classes back in high school, when you actually had to load the film by hand in a dark room.

What are you writing now?

I’m working on my second young adult novel for Scholastic. It’ll be out in Spring 2009 and it’s called SAME DIFFERENCE. I don’t want to say too much about it, but it’s about a girl named Emily who struggles with having two different identities—depending on whether she’s at home with the popular, suburban friends she grew up with, or hanging out in a city with a super cool, wild new girl she befriends in a summer art class.

What are some of your favorite books or authors?

I am really, really into graphic novels. My favorite of all time is BLANKETS by Craig Thompson. I tell every single person I know to read it and be ready to fall in love.
Is there a question you wish I’d asked, or anything else you’d like to add?
I wish you had asked me how awesome you are on a scale from one to ten.
I’d have said an eleven.

Aw, thank you so much!